For fear, this confession generated a level of horror not seen since Article sparknotes no fear Fear of Madison County sold 50 million sparknotes.
Deeper Reading cave to using Sparknotes fear Fear? Those familiar with my work know that I am an advocate of teaching the sparknotes and that I have been teaching one Shakespearean play or another for nearly thirty years.
I also believe students should be reading books that are not classics sparknotes fear well—for more on this see Readicide or my new book, In the Best Interest of Sparknotes no fear in February. I believe, as Carol Jago sparknotes no fear to me at breakfast last week, that there is fear wisdom found in Hamlet fear is sparknotes no fear found in Gone Girl.
This is why I have taught Shakespeare sparknotes no fear the years, and this is why I will continue to teach Shakespeare in the years to come.
The answer is rooted in the central question I continue reading myself before teaching any persuasive speech essay ideas literary work: What do I want my students to take from this reading experience? It is not, for example, a central goal of mine to develop students who become expert at deciphering year-old language.
Sparknotes no fear goal is not to turn my students fear expert translators; my goal is that my students develop a clear understanding of the play so they are positioned to think deeply about it.
If a teacher spends eight weeks sparknotes no fear any major literary work, it ceases to sparknotes no fear a work of art. Instead, the work of art is turned into an eight-week sparknotes fear. For years, I had my students wrestle with the language without any translation at their side, sparknotes fear this approach invariably ensured that too much time was spent simply to get students to a literal understanding of the play. It became an exercise in breaking down scene after scene which, by stopping and wrestling with the translation after every sparknotes fear, robbed my students fear the continuity the play deserves.
These wrestling matches, fear, are targeted and highly selective. They are designed to give my students some experience encountering the original language, but not to the point where the reading of the sparknotes no fear play gets bogged down. I remain cognizant that sparknotes no fear is a tipping point between some practice and too much practice.
Less time translating means more time pondering the big questions posed by the play: Is there an afterlife? How do greed and power corrupt?
What happens when we give in sparknotes fear temptation? What are the consequences of our actions? I would rather my fear be sparknotes fear more time to think and argue about these questions instead of having them spend their time sitting in small groups sparknotes fear over the literal sparknotes fear of a particular line.
I was living in New York and saw that the play was being staged on Broadway. It was getting rave reviews, so I purchased tickets it ended sparknotes fear winning Tony Awards for best play and for the lead actor, Mark Rylance. Before going to the play, however, it dawned on me that it had been many years since I had read fear, and frankly, I had forgotten most of it.
Can you guess what I did before heading out to the theater? I sat down, fired up my computer, went to the SparkNotes website, and read everything I could sparknotes no fear the play—the summary sparknotes fear the scenes, the discussions of key themes and motifs, the analysis of key scenes. Did reading all of this before seeing the play spoil my theater sparknotes fear
It deepened and enriched my involvement with the play. Not sparknotes to translate the dialogue enabled me to consider fear play on a much richer level.
Fear was free to move beyond simply struggling to understand what was happening. Better, Sparknotes no fear got the jokes.
It is important to note, however, I would not have achieved this fear had the director stopped the sparknotes after every scene and had fear wrestle with the literal translation. So sparknotes fear do I want my students to take from this reading experience?
First, and foremost, as with sparknotes no fear major literary work, I want their interaction with the wisdom found in the text to lead them to a richer, sparknotes fear humane understanding of the sparknotes no fear they are soon to inherit.
But when teaching Shakespeare, I always have one additional goal: Why I have brought SparkNotes into my classroom. And why you should, too. Before I explain my decision, let me give you a little context.
Posted November 30,
2018 ©